Agnes1.jpg
 
 

2018

Please Watch Your Step

A complexity of species  can be found in Klambratún, public park. Some of the plants have been there for half a century, spreading their branches. Others are newer and still rooting. There are those who desire to stay in the park but are immediately uprooted. These grasses don’t give up and grow again next spring.

"Please Watch Your Step" was a guided tour through Klambratún public park. Agnes took on the role of a tour guide and introduced characters of plant species that she had gotten to know during her visits there. The audience got to know each plant in their own respect  and maybe themselves along the way. The tour was build up of performative exercises that would increase the feeling of empathy, within the audience and the tour guide, towards other beings in the park.

Photos by Hanne Korsnes

 

 

 

Thank You for Your Time

This piece was made during a two week residency in Seyðisfjörður, Iceland. The majority of the time was spent sitting and weaving. The chair that was used became very important to the process ended as the subject of the image to recognise and honour its companionship.

Made from dental floss and old fishing ropes found in Seyðisfjörður.

Takkfsamveruna.JPG

2017

Where Friends are Made

Groups of friends were asked to speak about the origins of their relationship and why it's important to them.

They were all asked the same five questions:

How did you become friends?

What do you do when you meet?

Do you have any common interests?

Is there anything you both/all dislike?

Why is your friendship important?

The purpose of it was to see how people come together and if there is something in their answers that can be used to generate more empathy into society at large. The video was exhibited as a one channel projection with drawn mind maps on the other walls of the exhibition space that the audience could contribute to.

The video is a 52 minute loop.

 

 

 
 

Installation view:


 

The Description Factory

The description factory was a space design to look at the isolate the everyday conversation and try to limit its hierarchies.

Two to five person groups were invited to enter a space where they would have a conversation. A facilitator welcomes them into the space which contains a table and chairs, structure with a roll of topics to discuss and a voice recorder. When the group is seated, the facilitator asks them to rip the next topic of the roll and discuss it. While the group is discussing, the facilitator records and makes sure they stay within a twenty minute timeframe. When the group has finished conversing each member suggests a new topic that they want  other groups to talk about. The discussion has no leader so the conversation is free to travel as far as it desires from its original departing point.

Members of the groups come unprepared to the discussion with out knowing the topic beforehand. These circumstances can be intimidating but freeing at the same time as those who normally speak loudest might have to listen and listeners might have to speak depending on the topic at hand. The project brings to light subjects that people are currently occupied with, contemporary spoken language and conversational traditions.

The conversations were archived with participant anonymity, the only information added was date and place.

 

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An excerpt from a conversation the 4th of May 2017 at Iceland University of the Arts:

 

-  Ok, serious discussion about whale hunting.

- I think the problem is that many native people just have it in their tradition, it's been there forever and it's stupid to try to convince them that it's against nature

- I was reading an article that 70 percent of the whales that are eaten in Iceland are eaten by tourists.

-  Aren’t you a vegetarian?

-  Yeah I was but since I’ve been in Iceland I’ve started eating fish, two days ago I puked because I ate tuna.

-  Did you decide to be a vegetarian because of the animals?

- I think it was but more because of the environment and I don't like the capturing and holding of the animals but yeah.

-  It's just that, I don’t know, I’m a vegan but I haven’t been eating a lot of vegan things in Iceland because I don't think it is sustainable to be vegan in Iceland. I should just eat seaweed.

- Yes you should, in Chile you eat seaweed straight from the ocean, it’s not a thing everybody does but it's a thing that your grandma tells you to do and you just do it and you don't remember why.

- It's better to wash it and dry right?

- No you can make something like sushi, it's not an European thing, it's more Latin American thing. And there’s like a really long coast in Chile.

- But aren’t there a lot of jungles in Chile?
 

 

Education:

2015 – 2018

Iceland University of the Arts – BA in Fine Art.

2012 – 2015

Akureyri Comprehensive College – Visual Arts.

 

Group Exhibitions:

2019

UK Young Artist City Take Over - Lake Side Arts - Nottingham, UK.

2018 

        Self-ish les 2 ans - Le Chinois - Paris, France.

Út á tún - Kjarvalsstaðir - Reykjavík, Iceland.

Allar Leiðir Slæmar - Skaftfell Art Center - Seyðisfjörður, Iceland.          

2017

Það er allt svolítið bleikt - The Association of Icelandic Artist's - Reykjavík, Iceland.

Breytileg Brot -  Molinn Ungmennahús - Kópavogur, Iceland.

Mother’s Garage – Kópavogur, Iceland.

RAFLOST – Iceland University of the Arts – Reykjavík, Iceland.

2016

Overgangen – Fletta – Oslo, Norway.

Equality days – Reykjavík University – Reykjavík, Iceland.

Roundabout – Algera Studios – Reykjavík, Iceland.

2015

Graduation exhibition of Akureyri Comprehensive College – Ketilhúsið – Akureyri, Iceland.

2014

Kaþarsis // víxlverkun – Populus Tremula – Akureyri, Iceland.

Kvánríki – Populus Tremula – Akureyri, Iceland.

2013

2013 III- Salur Myndlistafélagsins – Akureyri, Iceland.

Solo Exhibitions and –projects:

2017

Þar sem vinir verða til – Hulduland – Reykjavík, Iceland.

Lýsingarframleiðslan - Kópavogur Library - Kópavogur, Iceland.

 

Other projects and Awards:

2017

Glæta – Collaboration with Brynjar Friðrik Pétursson resulted in an EP Album and six videos. Project created in Creative Summer Projects (Skapandi sumarstörf) sponsored by Kópavogur town.

Performed in Hot Bodies of the Future Stand Up by Gerald Kurdian – Everybody’s Spectecular – IÐNÓ- Reykjavík, Iceland.

Sound in interaction - Kuno Course - Konstfack- Stockholm, Sweden.

2016

Bermúda - Collaboration with Hrund Ingvadóttir and Kristín Nanna Einarsdóttir - Kópavogur, Iceland. Project created in Creative Summer Projects (Skapandi sumarstörf) sponsored by Kópavogur town.

2015

Rót - Ketilhúsið, Akureyri Art Museum – Akureyri, Iceland.

2013

The Youth Poet of Akureyri - First prize - Akureyri, Iceland

 

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